Captain M4d
POWER OVERWHELMING
- Joined
- Jul 15, 2004
- Messages
- 1,541
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Go ahead and make fun of me. I'm just as big a film snob as some of you guys--if you actually knew me.
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Ebert liked it. I am caustiously optimistic.
I chortled a few times. The first was at the digital read-out. Why do mad bombers always go to the trouble of supplying them? There's not much room inside the head of a golf club (even a wood), so why waste space on a digital read-out? I also chortled a few moments later, when the villain pulled out a piece of equipment labeled FIBER OPTIC CONVERTER in letters so large they could be read across the room. Doesn't mean much, but it sure looks good. And I will long treasure a moment when a computer asks Geiger, ``Time to initiate?'' and he types in, ``Now.'' Is the movie fun? Yes. Especially when the desperate Bullock breaks into a ship's supply cabinet and finds a chainsaw, which I imagine all ships carry. And when pleasure boaters somehow fail to see a full-size runaway ocean liner until it is three feet from them. Movies like this embrace goofiness with an almost sensual pleasure. And so, on a warm summer evening, do I.
Watching "Avatar," I felt sort of the same as when I saw "Star Wars" in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his "Titanic" was. Once again, he has silenced the doubters by simply delivering an extraordinary film. There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.
At 163 minutes, the film doesn't feel too long. It contains so much. The human stories. The Na'vi stories, for the Na'vi are also developed as individuals. The complexity of the planet, which harbors a global secret. The ultimate warfare, with Jake joining the resistance against his former comrades. Small graceful details like a floating creature that looks like a cross between a blowing dandelion seed and a drifting jellyfish, and embodies goodness. Or astonishing floating cloud-islands.
I've complained that many recent films abandon story telling in their third acts and go for wall-to-wall action. Cameron essentially does that here, but has invested well in establishing his characters so that it matters what they do in battle and how they do it. There are issues at stake greater than simply which side wins.
I'd love to kill humanity, starting with everyone who thinks this movie looks anything other than awful.
The brain-crushing irony of you saying this.Run of the mill Sci-fi movie with blue elves? Check. Crappy special effects? Check. I won't be seeing the movie, I think I'll wait when it comes on Cinemax, Starz, Showtime, Encore, etc. I rarely go to the theatres anyways.
Ugh, I like you for the most part. I enjoy the skeptical, critical, pessimistic tone. But it's statements like this that are so eye-rollingly ridiculous that I just can't handle it.
It's probably actually quite a good film to watch, you goddamn cynical negative bastards insisted in ripping it apart in your minds without giving it a chance. Of course it's no Lost in Translation but surely this film will be fun!
/shakes head disapprovingly.
It's probably actually quite a good film to watch, you goddamn cynical negative bastards insisted in ripping it apart in your minds without giving it a chance. Of course it's no Lost in Translation but surely this film will be fun!
/shakes head disapprovingly.
This.
As the Winter nights draw in there seems to be an increasing amount of pointless snark doing the rounds on the internets of late.
Story - ace, if waaaay familiar (Ferngully 2: Dances With Wolves). Dialogue: on the nose, first-base, kinda perfect mostly. Acting: mostly good, sometimes dodgy.
But just AWESOME
I'm starting to trust your sister less and less.
Is that better or worse than being a "big fat phony"?
good lord i can't believe i just made a family guy reference what the **** is wrong with me