K e r b e r o s
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This was taken from a friends blog, and to protect his sanity I will nethire cite the blog source or the blog site, or use his name in this.
He knows who he is and knows only he is responsible for this article. I do not claim that this is my piece but his. You may read on:
**************************************
I had mixed feelings about seeing V for Vendetta --a near-future story about the rise of fascism in Britain and the terrorist who brings it all down. I had heard it was being touted as an anti-Bush movie, and then read another review which basically said, "don't believe the hype and give it a watch."
So I did. On one level, I was very pleased by it. It was an engaging, engrossing, intelligent and thought provoking movie which I would heartily recommend on that basis alone. It makes you *think* and it makes you feel, and that's the highest compliment I can pay any form of artistic endeavour, art, movie or otherwise. Very definitely one of the best comic book movies I've ever seen, up there with Spider-Man and Batman Begins, and one I will eagerly add to my collection when it comes out on DVD.
And to be sure, parts of the movie were dead on in their message. Other parts... I took serious exception to what they were implying and the analogies they were trying to make. If you haven't seen the movie, stop right here--serious spoilers beneath the cut. SEE THE MOVIE FIRST. You heard me. Go. It is very much worth the price of a movie ticket.
If you *have* seen it, read on...
************************************************
Modern Allegory
I stayed all the way through the end of the credits, just in case there was something else, maybe a cut scene or something at the very end like they sometimes do (for example, Constantine has a scene at the very end of the credits to wrap up one final plot thread). No such luck, but I did take special note of that standard disclaimer. You know, "This is a work of fiction. Any resemblence to any actual people, places, circumstances or events are not intentional and purely coincidental."
...to which I have to call bullshit on. This movie was very *much* intended to have resemeblence to certain people, places, situations and events; I don't think anybody could seriously argue that it wasn't intended as an allegory to the modern day US.
************************************************
History
Here's a little history of the movie and the comic it was based on:
http://en.wikipedia.org/wiki/V_for_Vendetta
V for Vendetta was made in the early 80s by a British author Alan Moore, and it may interest you to know was intended at least in part as a message and warning against Margeret Thatcher and her hard-line Tory party, who at the time had swept Britain's labor party from power and was instituting some decidedly un-liberal (in the party sense) reforms, closely allying her nation with the US and Ronald Reagan. Alan Moore has dissassociated himself from the movie; I've heard it suggested in Wizard magazine (excellent comic book mag, one of the few magazines I subscribe to) it was because in part because he didn't like the idea that it was being turned into the anti-American allegory.
There were changes to the original comic storyline as well, perhaps to make it more palatable to audiences, though the basic soul of the book and the character is definitely intact. They *did* take at least a bit of the edge off of V; in the comics he was more an anarchist and even outright terrorist than freedom fighter; the movie emphasized the latter while at least slightly deemphasizing the former.
The movie timeline has been shifted twenty years into the future, now set against a backdrop of the War on Terror ("Americas War")... or its aftermath. America gets bogged down, Vietnam style in the middle east, radicalizing the Muslim world (implied if not stated) and causing a wave of devastating terrorist attacks, including some WMD attacks, to be launched against the west. America fractures and descends into civil war, while a neo-Christian ultra-conservative party takes advantage of the chaos and fear to rise to power in Britain on a platform of restoring peace and order and Britain's strength in the world. In the process, they institute a draconian quasi-religious state rule, complete with brownshirt-type secret police, a KGB-type propaganda office and minister, big brother figure, even the equivalent of a Taliban-like ministry of Vice and virtue, which bans any form of song, art or performance it deems seditious.
************************************************
The Good, The Bad and the Ugly
Plenty of moments in the movie that had me nodding my head in agreement, others that had me shaking it, and at least a couple that caused me to me recoil in disbelief. So... here's my take:
The Good...
What are the good messages of the movie; the ones that had me nodding in agreement? Fascism usually does start out as democracy, and usually keeps at least a thin veneer of democracy over top of itself for appearances' and PR sake. Hitler, for example, was initially an elected leader. When V tells everyone that if they want to know who to blame for this, they only need look in the mirror, that is also quite true. All too often, people *allow* it to happen, sacrificing their freedoms for security and stability, trying desperately to preserve their status quo or comfortable lives in face of chaos and uncertainty. 3rd, V says that governments should fear their people, not the other way around. That's true... to a point. I'll have more to say about that later.
The movie did a pretty good job of depicting what a fascist society would look like, and I think, what happens to get you there... or at least one possible path to it. It's worth noting, however, that there's another, more common path to fascism, one they missed.
Active vs Passive
What the movie depicted was a much more passive form of fascism, where the people aren't necessarily actively supporting the regime, but apathetically accepting of it because they consider their lives at least stable and comfortable and don't want to upset that. This is what can happen when people are more concerned about defending their social benefits and quality of life than their rights and freedoms, and this is the main reason why I don't consider this form of fascism to be a particularly dangerous threat here in the US. As a rule, Americans very jealously guard their freedoms, whether gun rights or free speech, free press or abortions. Nations that are socialist, on the other paw, are far more likely to fall victim to this more passive form of fascism. Why? Because you forget what's important. Because you value your welfare benefits more than your rights. Socialism and heavy social safety nets teach depenency, not self sufficiency, and a reliance on government instead of on onself. *That*, ladies, and gentlemen, is a ready-made breeding ground for what the movie depicted.
And unfortunately... there *is* some evidence of this happening in Britain. London is blanketed with surveillance cameras--fat lot of good they did stopping the subway bombings last summer. There's talk of putting stuff in cars that will allow them to be tracked by satellite, and nary a peep in opposition. The chilling of free speech, and draconian gun control laws that don't even allow you to defend yourself in your own homes unless you use 'proportional force'. Bending over backwards to ridiculous and increasingly appalling lengths to accomodate Muslim sensibilities, like removing piglet or piggy banks from children's books or toy stores. *These* are signs of a society that's increasingly ripe for conquest from within.
Active Fascism
An active form of fascism, on the other paw, is one where the majority of people are wholeheartedly supporting and participating in the regime, wholeheartedly and actively participating in the suppression and abuses of those deemed undesirable. Nazi Germany is the prime example of that. "Active fascism" results basically from popular movements gone horribly wrong, and these tend to be far more dangerous and aggressive regimes than the passive kind.
I mean, if you think about it, in the past, It's typically been disadvantaged peoples, nations or minorities, seeking redress for past wrongs, real or imagined, that are ripe for mass movements; ripe for the charismatic leadership of a Hitler or Mousoullini. Ripe for someone to harness their collective rage and sense of victimization. That's what happened in Germany, it's what happened in Italy. It's what *is* happening with Muslims in large areas of the world. In such cases, their grievances are typically valid; Germany, for example, was humilated and impoverished after WW1, punished severely and even sadistically by Britain and France, stripped of her empire and her very dignity. Italy and Japan felt slighted, and not without reason, denied the rewards due them for fighting on the allied side in WW1. Modern day, you can find fascistic movements underway in Iran, or Venezuela. Don't laugh--that's exactly what's happening down in Venezuela right now; if you want a close equivalent to parts of what the movie depicted--secret police, brownshirts, control of media and glorification of party and leader--you've got it right there. "But that's not religious!!!!" you say? I've got some news for you--communism and hard-line socialism *are* religions in and of itself, especially the radical brand that Hugo Chavez is advertising. They're very jealous religions that brooks no dissent, no faiths or ideologies but their own. And this is exactly why you can call Islamism a fascistic movement as well.
In any event, no matter *how* valid a nation's/peoples/minority group's grievances, no matter how badly they've been treated in the past that does not make them any less evil or dangerous when they fall under fascism's sway. Nazi Germany had plenty of valid greivances. Did that make them any less dangerous or evil for it? There comes a point where those grievances become moot. They have to be fought. And right there is the final message of the movie I agree with: Fascism *should* be fought whereever it exists.
But that in turn begs the question: What *is* fascism? And what are its characteristics?
The Bad...
Before I answer that question, the things about the movie I *didn't* appreciate: making Christianity the bad guy; depicting bishops and priests as hypocritical pedophiles and both them and an army of brainwashed zealots as brownshirts willfully complicit in all the abuses and atrocities committed by the regime. Implying everything only went south because of 'Americas War'--that's 'the US is to blame for everything and all evils' meme that's a little too popular right now; that absolves everyone else of any wrongdoing at all or refuses to acknowledge any evil in the world unless it can be traced back to America. Like they just *had* to stick that plug in there; what happened to Britain was ultimately America's fault.
Then there's the implication that 9-11 was a fabrication (the St. Mary's analogy), both it and the monuments that commemorated it a means to keep the population behind the government and demagogue who runs it as they assume ever more power and control over the nation, enacting draconian laws--i.e., the Patriot Act. Or how about that one-second scene inside of V's underground lair where you see in his art collection a "coalition of the willing" poster with the flags of the US, Britain, Australia with a Nazi symbol plastered right over the middle of it--that's a direct reference to Iraq; *that* made me want to flick off the screen. Finally, the implication that if you vote conservative--Tory, Republican, whatever--you vote for fascism. V himself said that when he was giving his speech to the police commissioner in the St. Mary's memorial towards the end of the movie.
...and The Ugly.
Finally... despite V's explanations, I find it very hard to accept that blowing up parliament and Big Ben would be an act of patriotism attended and enjoyed by all citizens. That'd be like blowing up the Statue of Liberty; an attack on everything it--and a nation--is supposed to represent. Yes, symbols *are* important. So why would you attack symbols of liberty and democracy and not the ones associated with the fascist regime that's got a strangehold over you?
Hell, if I was the member of the regime, I'd probably just *let* him do it, expecting everyone to recoil from the very idea and 'rally round the flag' afterwards. History shows that such an attack isn't likely to bring down a government or leader; it's more likely to strengthen it or him.
He knows who he is and knows only he is responsible for this article. I do not claim that this is my piece but his. You may read on:
**************************************
I had mixed feelings about seeing V for Vendetta --a near-future story about the rise of fascism in Britain and the terrorist who brings it all down. I had heard it was being touted as an anti-Bush movie, and then read another review which basically said, "don't believe the hype and give it a watch."
So I did. On one level, I was very pleased by it. It was an engaging, engrossing, intelligent and thought provoking movie which I would heartily recommend on that basis alone. It makes you *think* and it makes you feel, and that's the highest compliment I can pay any form of artistic endeavour, art, movie or otherwise. Very definitely one of the best comic book movies I've ever seen, up there with Spider-Man and Batman Begins, and one I will eagerly add to my collection when it comes out on DVD.
And to be sure, parts of the movie were dead on in their message. Other parts... I took serious exception to what they were implying and the analogies they were trying to make. If you haven't seen the movie, stop right here--serious spoilers beneath the cut. SEE THE MOVIE FIRST. You heard me. Go. It is very much worth the price of a movie ticket.
If you *have* seen it, read on...
************************************************
Modern Allegory
I stayed all the way through the end of the credits, just in case there was something else, maybe a cut scene or something at the very end like they sometimes do (for example, Constantine has a scene at the very end of the credits to wrap up one final plot thread). No such luck, but I did take special note of that standard disclaimer. You know, "This is a work of fiction. Any resemblence to any actual people, places, circumstances or events are not intentional and purely coincidental."
...to which I have to call bullshit on. This movie was very *much* intended to have resemeblence to certain people, places, situations and events; I don't think anybody could seriously argue that it wasn't intended as an allegory to the modern day US.
************************************************
History
Here's a little history of the movie and the comic it was based on:
http://en.wikipedia.org/wiki/V_for_Vendetta
V for Vendetta was made in the early 80s by a British author Alan Moore, and it may interest you to know was intended at least in part as a message and warning against Margeret Thatcher and her hard-line Tory party, who at the time had swept Britain's labor party from power and was instituting some decidedly un-liberal (in the party sense) reforms, closely allying her nation with the US and Ronald Reagan. Alan Moore has dissassociated himself from the movie; I've heard it suggested in Wizard magazine (excellent comic book mag, one of the few magazines I subscribe to) it was because in part because he didn't like the idea that it was being turned into the anti-American allegory.
There were changes to the original comic storyline as well, perhaps to make it more palatable to audiences, though the basic soul of the book and the character is definitely intact. They *did* take at least a bit of the edge off of V; in the comics he was more an anarchist and even outright terrorist than freedom fighter; the movie emphasized the latter while at least slightly deemphasizing the former.
The movie timeline has been shifted twenty years into the future, now set against a backdrop of the War on Terror ("Americas War")... or its aftermath. America gets bogged down, Vietnam style in the middle east, radicalizing the Muslim world (implied if not stated) and causing a wave of devastating terrorist attacks, including some WMD attacks, to be launched against the west. America fractures and descends into civil war, while a neo-Christian ultra-conservative party takes advantage of the chaos and fear to rise to power in Britain on a platform of restoring peace and order and Britain's strength in the world. In the process, they institute a draconian quasi-religious state rule, complete with brownshirt-type secret police, a KGB-type propaganda office and minister, big brother figure, even the equivalent of a Taliban-like ministry of Vice and virtue, which bans any form of song, art or performance it deems seditious.
************************************************
The Good, The Bad and the Ugly
Plenty of moments in the movie that had me nodding my head in agreement, others that had me shaking it, and at least a couple that caused me to me recoil in disbelief. So... here's my take:
The Good...
What are the good messages of the movie; the ones that had me nodding in agreement? Fascism usually does start out as democracy, and usually keeps at least a thin veneer of democracy over top of itself for appearances' and PR sake. Hitler, for example, was initially an elected leader. When V tells everyone that if they want to know who to blame for this, they only need look in the mirror, that is also quite true. All too often, people *allow* it to happen, sacrificing their freedoms for security and stability, trying desperately to preserve their status quo or comfortable lives in face of chaos and uncertainty. 3rd, V says that governments should fear their people, not the other way around. That's true... to a point. I'll have more to say about that later.
The movie did a pretty good job of depicting what a fascist society would look like, and I think, what happens to get you there... or at least one possible path to it. It's worth noting, however, that there's another, more common path to fascism, one they missed.
Active vs Passive
What the movie depicted was a much more passive form of fascism, where the people aren't necessarily actively supporting the regime, but apathetically accepting of it because they consider their lives at least stable and comfortable and don't want to upset that. This is what can happen when people are more concerned about defending their social benefits and quality of life than their rights and freedoms, and this is the main reason why I don't consider this form of fascism to be a particularly dangerous threat here in the US. As a rule, Americans very jealously guard their freedoms, whether gun rights or free speech, free press or abortions. Nations that are socialist, on the other paw, are far more likely to fall victim to this more passive form of fascism. Why? Because you forget what's important. Because you value your welfare benefits more than your rights. Socialism and heavy social safety nets teach depenency, not self sufficiency, and a reliance on government instead of on onself. *That*, ladies, and gentlemen, is a ready-made breeding ground for what the movie depicted.
And unfortunately... there *is* some evidence of this happening in Britain. London is blanketed with surveillance cameras--fat lot of good they did stopping the subway bombings last summer. There's talk of putting stuff in cars that will allow them to be tracked by satellite, and nary a peep in opposition. The chilling of free speech, and draconian gun control laws that don't even allow you to defend yourself in your own homes unless you use 'proportional force'. Bending over backwards to ridiculous and increasingly appalling lengths to accomodate Muslim sensibilities, like removing piglet or piggy banks from children's books or toy stores. *These* are signs of a society that's increasingly ripe for conquest from within.
Active Fascism
An active form of fascism, on the other paw, is one where the majority of people are wholeheartedly supporting and participating in the regime, wholeheartedly and actively participating in the suppression and abuses of those deemed undesirable. Nazi Germany is the prime example of that. "Active fascism" results basically from popular movements gone horribly wrong, and these tend to be far more dangerous and aggressive regimes than the passive kind.
I mean, if you think about it, in the past, It's typically been disadvantaged peoples, nations or minorities, seeking redress for past wrongs, real or imagined, that are ripe for mass movements; ripe for the charismatic leadership of a Hitler or Mousoullini. Ripe for someone to harness their collective rage and sense of victimization. That's what happened in Germany, it's what happened in Italy. It's what *is* happening with Muslims in large areas of the world. In such cases, their grievances are typically valid; Germany, for example, was humilated and impoverished after WW1, punished severely and even sadistically by Britain and France, stripped of her empire and her very dignity. Italy and Japan felt slighted, and not without reason, denied the rewards due them for fighting on the allied side in WW1. Modern day, you can find fascistic movements underway in Iran, or Venezuela. Don't laugh--that's exactly what's happening down in Venezuela right now; if you want a close equivalent to parts of what the movie depicted--secret police, brownshirts, control of media and glorification of party and leader--you've got it right there. "But that's not religious!!!!" you say? I've got some news for you--communism and hard-line socialism *are* religions in and of itself, especially the radical brand that Hugo Chavez is advertising. They're very jealous religions that brooks no dissent, no faiths or ideologies but their own. And this is exactly why you can call Islamism a fascistic movement as well.
In any event, no matter *how* valid a nation's/peoples/minority group's grievances, no matter how badly they've been treated in the past that does not make them any less evil or dangerous when they fall under fascism's sway. Nazi Germany had plenty of valid greivances. Did that make them any less dangerous or evil for it? There comes a point where those grievances become moot. They have to be fought. And right there is the final message of the movie I agree with: Fascism *should* be fought whereever it exists.
But that in turn begs the question: What *is* fascism? And what are its characteristics?
The Bad...
Before I answer that question, the things about the movie I *didn't* appreciate: making Christianity the bad guy; depicting bishops and priests as hypocritical pedophiles and both them and an army of brainwashed zealots as brownshirts willfully complicit in all the abuses and atrocities committed by the regime. Implying everything only went south because of 'Americas War'--that's 'the US is to blame for everything and all evils' meme that's a little too popular right now; that absolves everyone else of any wrongdoing at all or refuses to acknowledge any evil in the world unless it can be traced back to America. Like they just *had* to stick that plug in there; what happened to Britain was ultimately America's fault.
Then there's the implication that 9-11 was a fabrication (the St. Mary's analogy), both it and the monuments that commemorated it a means to keep the population behind the government and demagogue who runs it as they assume ever more power and control over the nation, enacting draconian laws--i.e., the Patriot Act. Or how about that one-second scene inside of V's underground lair where you see in his art collection a "coalition of the willing" poster with the flags of the US, Britain, Australia with a Nazi symbol plastered right over the middle of it--that's a direct reference to Iraq; *that* made me want to flick off the screen. Finally, the implication that if you vote conservative--Tory, Republican, whatever--you vote for fascism. V himself said that when he was giving his speech to the police commissioner in the St. Mary's memorial towards the end of the movie.
...and The Ugly.
Finally... despite V's explanations, I find it very hard to accept that blowing up parliament and Big Ben would be an act of patriotism attended and enjoyed by all citizens. That'd be like blowing up the Statue of Liberty; an attack on everything it--and a nation--is supposed to represent. Yes, symbols *are* important. So why would you attack symbols of liberty and democracy and not the ones associated with the fascist regime that's got a strangehold over you?
Hell, if I was the member of the regime, I'd probably just *let* him do it, expecting everyone to recoil from the very idea and 'rally round the flag' afterwards. History shows that such an attack isn't likely to bring down a government or leader; it's more likely to strengthen it or him.