VirusType2
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Pretty incredible. I like the art direction and dedication to realism on the sets. Something that ALWAYS bugs me is when it looks like a set.
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Why do I have to keep double posting? Everyone should be shitting themselves over this show like they do with Dexter, The Walking Dead and Breaking Bad. In fact, you should be shitting even more, because this is going to be better than all of those.
Cut to a scene, which I believe is not in the books, Ned talking to Jon as he sets out for the Wall with Benjen and company. Tells him to serve with honor or something to that effect. Then to the Wall, we see the Old Bear and Maester Aemon speaking with Tyrion, pleading for more men. Then we get our first glimpse of the Wall.
Winter Is Coming: When we first saw the Wall everyone kind of had a “woah” moment. It’s the freakin’ Wall! It is an impossibly huge sheet of ice, just as described in the books. We all agreed, it was one of the most impressive shots from the preview.
Fire And Blood: The Wall looks …. awesome. And real. It looks real. Maester Aemon looks… well, like he may sprout fangs and hiss at us any moment. Querulous little toothless mouth. The Old Bear was imposing, though was white-haired rather than the black we’re used to. White-haired men on the Wall is a theme, I think.
Back to Winterfell, Luwin delivers Lysa’s note as Ned and Catelyn lie in bed together. Cat reveals its contents, “She’s fled the capital. She says Jon Arryn was murdered by the Lannisters.” Then the scene we saw in the Inside Game of Thrones feature, Cat pleading with Ned to remain in Winterfell.
Catelyn: “Seventeen years ago, you rode off to war with Robert Baratheon. And now you’re leaving me again.”
Ned: “I have no choice.”
Catelyn (in tears): “That’s what men always say when honor calls, that’s what you tell your families, tell yourselves. You do have a choice, and you’ve made it.”
Winter Is Coming: Some good stuff from Fairley here. I’ve always liked her as Catelyn, so I’m glad my original good feelings seem to be warranted. Luwin’s maester’s collar, by the way, is HUGE. The links are like the size of donuts and it goes all the way down below his waist. Not sure why they changed that for the show, even GRRM commented it was much different than he imagined it to be.
Fire And Blood: Have to say—Catelyn looks GREAT. Michelle Fairley really struck a chord with those watching. Will she be modeling next year’s Dior bikinis? Probably not. But her gravitas, her emotional core… Mo Ryan said it best: she brings an “earthy” emotional core. Emotions everyone can readily understand and sympathize with, whereas Cersei, in a few shots, looks to be just about off her rocker.
Cut to King’s Landing. A far away CGI shot of the Red Keep, which looks great. A cluster of tall towers and one huge archway leading to a solitary tower (The Tower of the Hand?). Another new scene, Ned walks into the throne room, finds Jaime seated on the steps beneath the Iron Throne.
Winter Is Coming: The Iron Throne is very impressive. Swords jutting up the back like a huge, metal peacock. It looks similar to Komarck’s version only slightly less fantastical. And this scene played out almost as an homage to Ned’s arrival into King’s Landing 17 years ago, at first we even thought it was a flashback.
Ned: “That’s some handsome armor you’re wearing. Not a scratch on it.”
Jaime: “People have been swinging at me for years, but they always seem to miss.”
Ned: “You’ve chosen your opponents wisely then.”
Jaime: “I have a knack for it.”
Why would they change that?Ned walks into the throne room, finds Jaime seated on the steps beneath the Iron Throne.
By far. They should have vegeta cast the part.
It seems like a contemporary scene, not a flashback to when Ned first entered the throne room during the Sack of King's Landing. Some of the most iconic and evocative images--Robert and Rhaegar's duel, Jaime on the throne, the tower of joy--are in the flashbacks. If they choose to show those scenes, I fully expect to see Ser Jaime slouching on the throne in the best Jareth fashion.